030810 - Centre Stage



 
 
 

From the Editor:

What fun - to feature the sometimes eccentric and always entertaining "queen" of illusion herself, the incomparable RuPAUL, who has folks going ga-ga over his new book "Workin' It!" and a hot second season of his award-winning reality show, RuPAUL's Drag Race. We sent two of our photographers, Ocean Morisset and Rick Gore, to capture RuPAUL at book signings in New York City and Atlanta and even chatted with a few of the contestants from the show. And then there are the original musings of RuPaul, as only RuPAUL can do.

On the theater scene, we bring you interviews and reviews from shows in New York City, Miami and Atlanta as well as a rare interview with Grammy winner Ramsey Lewis who was in South Florida with his old-time friends, jazz producer Larry Rosen and singer-extraordinaire Al Jarreau.

From the creative arts genre we have Peoria, Illinois native Jonathon Romain, whose art celebrates the African-American experience with all of its diversity. And for those who love fashion, we have a designing legend, Bob Schafer, who hopes to motivate young folks to follow their dreams with his soon-to-be published work of reflections.

In addition, we have included one of RuPAUL's "boyz" from "Drag Race Season Two," physical trainer and model Max Phillisaire in a photo spread that will delight the eyes - and may make some of us run for the gym.

Last but not least, we have included interviews with the producers of a new, controversial DVD-series that examines the ethnic lineage of Jesus - was Jesus Black? Read on and see.

Fashion, fitness, philosophical reflections and finger-popping musical productions - what more do you need? Enjoy the ride. And come back next month for even more surprises.

 

D. Kevin McNeir
Senior Editor
Centre Stage Magazine

 

Michael R. Moore
Art Director
Steven Brown
Contributor
Kheven LaGrone
Contributor
Rudy Reed
Contributor
 
 
In This Issue: RuPAUL: The Face Behind the Mask Riant Theatre Keeps Putting on the "Hits" Larry Rosen's "Jazz Roots"
Being Wicked Has Never Been So Delightful Mulan: A Perfect Show for the Entire Family Bob Schafer  Celebrated Designer Artist Jonathon Romain New Series
African Heritage of Jesus? Max Philisaire Turns Exercise into Profitable Career Fitness 101  
 

RuPAUL: The Face Behind the Mask


"There is None so Fabulous as YOU" - Dee Dee Sharp

By: D. Kevin McNeir

 

 
 
 
"Gentlemen start your engines - and may the best "woman" win," says RuPAUL every week as the host and creative force behind the popular Logo series "RuPaul's Drag Race," an entertaining ultimate drag queen competition that is now in its second season and picking up more and more fans with every passing episode.
RuPAUL is a legend of sorts - first because of his success as a drag queen, taking the art to a whole new level as far back as the early 80s when he earned his way to being the "belle of the ball" in one of America's more gay-friendly towns, Atlanta, and in the Big Apple where he was voted the Queen of Manhattan on the City's party scene.
 
But that was just the beginning for the 6'7" San Diego native, born RuPaul Andre Charles, who dropped out of high school dropout and worked as a car salesman before taking his gowns, wigs and attitude to dance clubs and recording and television studios around the globe.

His meteoric rise to the top has inspired an entire generation of drag queen hopefuls as is evident by the tough competition one witnesses each week as contestants put everything on the line in hopes of becoming America's next drag superstar.

RuPaul Andre Charles
 
And if that weren't enough, the fabulous RuPAUL has just released a new book, "Workin" It! RuPaul's Guide to Life, Liberty and the Pursuit of Style (Harper Collins, 2010) which features amazing photography by Mathu Andersen and is chock-full of Ru's advice about life, work, play and always being a "fashionista."

The book has just increased the "queen's" popularity - over 600 people stood in sub-freezing weather for hours just to meet RuPaul, take pictures and have their book autographed at Atlanta's Outwrite Bookstore - the Southeast's premier book store for everything "gay."

 
"Don't take life too seriously, the words of my tenth-grade drama teacher, Mr. Pannell, have served me well in the way I dress (in and out of drag), in the way I live, and undeniably in the way I work it! RuPaul writes. "Honey, life is shorter than you think.

I don't have time to be mired down in the mud. As a child I assumed everyone had been given an instruction manual except for me. I grew up in a house with all girls, so I felt like the little boy who fell to Earth. I was a sweet, odd-looking kid with a face full of freckles.

I got teased a lot for being a sissy and I most definitely did not fit it. Being an outsider motivated me to study human behavior. My thinking was if I could learn the rules of the game, then perhaps I could find a loophole and angle my way in."

A young RuPAUL

 

With honest reflections like this and with Ru's imaginatively-constructed terms including glamazon, rootie-tootie bootie, and the hilarious squirrel-friends ( a term that some of the children have already started to use), the book is a collection that will make you laugh until you cry, while offering fashion tips for those who do drag or just want to look better.

 
 
RuPAUL at book signing at Atlanta's Outwrite Bookstore,   Photo by Rick Gore
 
"During the latter part of the 80s, I transformed my look to accommodate a change in the nightclub business," Ru writes. "I became a sexy drag queen - a look inspired by pop girl groups like Vanity 6 and the Mary Jane Girls.

I called my new incarnation "black hooker" and became a full-time blonde to create a cartoon character image that could be easily identified as a brand.

From my collection of pop culture influences, I added two parts of Diana Ross, a pinch of Bugs Bunny, two heaping spoonfuls of Dolly Parton, a dash of Joseph Campbell and three parts Cher. It worked."

Yes, RuPAUL, whether you love or hate him, has made his way to the upper echelon of drag performance and now, is ushering in a new generation of eager entertainers representing the diversity that is America.

 
RuPAUL at book signing at Atlanta's Outwrite Bookstore,   Photo by Rick Gore
Behind the Camera at the "Race"

RuPaul says that one of the things that every drag queen needs is a catchy name and a unique look and with this season's contestants including Puerto Rico's Jessica Wild, the Asian phenom Jujubee from Boston, Orlando's feisty Tyra Sanchez, 14-year drag veteran performer Nicole Paige Brooks from Atlanta and the foul-mouthed, high-stepping Raven of Riverside, California, this year's ladies have brought their "game face" to the competition.

Add celebrity guest judges like Martha Wash, Kathy Griffin, Jackie Collins and Kim Coles and the two "boy-toys," including fitness trainer and model, Max "the Body" Phillisaire, who take "muscular endowment" to a whole new level, and you have the makings of another award-winning season.

We spoke with Max, Nicole (who was unfortunately eliminated during week two) and Tyra (who won last week's wedding competition) about their experiences on the show.

"This is unlike anything I have ever experienced and … I love it," Nicole said. "Everyone in Atlanta has remained behind me and that's been very important because this is different from the pageants that I've been winning over the years.

You never know what the next competition will be and once you find out you only have a few days to prepare yourself. But it's all worth it just to be able to work with RuPAUL.

I wanted to be here so that I could be a part of RuPAUL's legacy. He made his name in Atlanta and I have not only performed in many of the clubs where he made his mark, but I live on the same street where he once lived. I have really enjoyed the ride."

RuPaul Book Signing in NYC
 
Photo by Ocean Morisset
Photo by Ocean Morisset
Photo by Ocean Morisset
 
RuPAUL at book signing at Atlanta's Outwrite Bookstore,   Photo by Rick Gore
"When I found out about the opportunity to be on the show, I thought it was going to be a great way to promote the body and personality but once I met RuPAUL and the contestants, the focus became more about personal growth," Phillisaire said. "Drag queens are underrated - the world will get the opportunity to see how entertaining these young men are. I saw first hand how much personality, skill and creativity RuPAUL and these contestants possess. You will fall in love with the cast and I am sure that whether you are male, female, gay or straight, you will enjoy watching the most entertaining reality show on television. I would love to tell you more but it would spoil the excitement."

"Being a contestant on this show has changed my life overnight," Tyra said. "I have only been doing drag for about three years and at first it was really rough, but I learned quickly.
My first time back after recording a few of the episodes, I was bombarded by friends and fans; I couldn't even move in the club. And working with RuPAUL has been so much fun because he loves to laugh - he laughs all day long. It really helped me to relax."

Last season's winner was African-born Bebe Zahara Benet, who is currently traversing the United States in his own "I'm the S#!T" Tour. Stay tuned as the competition intensifies to see who will emerge as this season's next drag superstar.

And don't count out RuPAUL just yet, who like the chameleon, has more looks than there are days on the calendar. One never knows what "face" we will see when he steps out for a stroll or when he stands in front of the camera, but it's sure to be a look that will "bemuse, confuse and delight." Way to go Ru!

Riant Theatre Keeps Putting on the "Hits"

 

A Conversation with Founder Van Dirk Fisher

By: D. Kevin McNeir

 

 
 
 
Dirk Van Fisher doesn't seem to be able to get much sleep these days. But as the founder and artistic director of the Riant Theatre, a New York-based African-American theater company fresh off the heels from another successful Strawberry One-Act Festival and a moving awards ceremony honoring leaders from all five of the City's boroughs, not to mention his search for a permanent home for his award-winning troupe, he has a lot on his plate. And that's just the beginning.
He's also putting the finishing touches on an April 24th Spring Fling that will allow industry leaders to gather for a fun-filled fashion show and opportunities to network. And he'll be awarding scholarships to college-bound students at a June 19th Youth Empowerment Awards Dinner. (The venue for both events will be announced soon on the theater's website.

Finally, there are works like the recent play Dream Babies, an urban musical dealing with the challenges that teens living in foster care are forced to confront and hopefully overcome for which Fisher wrote the book, music and lyrics. It goes without saying that this brother is definitely putting on the "hits."

"I founded the company as the Black Experimental Theatre in 1979 when we first became incorporated and we were moving along pretty well," he said. "In 1991 we located a suitable space in Tribeca and changed our name to the "Riant" - a word meaning laughter and merriment in French because I wanted something more universal with a title that let people know our productions are more than the typical kinds of shows one would expect to see at a black theater."
But shortly after 9/11, their building was destroyed, leaving Fisher scrambling for suitable digs - a search that continues today.

"It hasn't stopped us from putting on quality theatrical presentations, but at this point my primary goal is to build a new theater so we rent spaces for now and I am taking my time - finding the right spot and raising funds," he said. "

Fisher received rave reviews for Dream Babies, a play that he first began to dream about after becoming involved with teens from different foster care agencies in New York City and listening to their stories.

"I realized that there is a real stigmatism attached to kids who grow up in the foster care system not to mention the hardship, growing pains and frustrations they face as they go after their desires," he said. "Their own stories motivated me to start writing and I soon learned that for those who do succeed that success is in great part due to the support and knowledge they receive from their teachers and counselors."

One of the play's main characters, Quayshawn, was portrayed by Bronx-born Rodney Mack, 23, who first became interested in the theater after attending an actors' workshop at his middle school when he was 13. He says that what was once a hobby has now become his passion.

 

"That first class with Roy Thomas and Martin Henderson was a real turning point in my life," Mack said. "I was new to the stage then and I remember being extremely nervous.

But I learned and I grew and now I have chosen acting as my career. Getting into the mind of my character was a challenge but the more I studied the more I understood the anger and frustration that so many of my fellow young adults feel because of their unstable lives in foster care.

Each time I perform my goal is to set the standard for the other actors on stage and to be a role model for those who will come after me."

Fisher's Strawberry One-Act Festival, which began as a way for him to identify talented playwrights and give them a chance to develop their works, has grown from a local competition to an international phenomenon - drawing eager playwrights from as far away as Denmark and London.

This year's winner was Kee Lashon, an African -American man whose play "Heart's Gamble" faced stiff competition. And already Fisher is working on the next Festival which will tentatively take place sometime in August.

"Originally the festival was a competition for New Yorkers but it grew quickly and became great fun for our audiences," he said. "We even became referred to as a theatrical version of "American Idol" because the audience votes on what plays will move on from one round all the way to the finals. And because these are short plays, no more than 30 minutes in length, you can see three shows in any given night."
The mission of the Riant Theater is to provide a nurturing environment and to develop new plays and outstanding artists. The Strawberry One-Act Festival, first started in 1995, is a perfect way to do just that.

Finally, Fisher is always involved in doing different outreach projects. Last summer the focus was on pioneers in the entertainment industry. This year he presented awards to those in the community whose goal is to help young children and teens reach their full potential - dedicated individuals like ministers, teachers and principals.

This year's Community Leadership Award recipients included: Rev. Ken Bogan, pastor, Greater Restoration Baptist Church (Crown Heights); Bill Briggs, founder and executive director, Youth & Tennis, Inc.; Earlean W. Golson, community public servant; Chrysetta Patterson, chairperson, New York Consortium for Youth Development, Inc; and Max "The Sax" Lucas, musician and humanitarian.

 

Larry Rosen's "Jazz Roots" Keeps the Music Alive for Next Generation



Miami Students Experience the One-two Punch of Ramsey Lewis and Al Jarreau

By: D. Kevin McNeir

 

 
 
 
Grammy winners Ramsey Lewis and Al Jarreau took to the stage at the Adrienne Arsht Center for the Performing Arts of Miami-Dade in a rare performance by these two jazz superstars showcasing their unique talents in the latest Jazz Roots series, a program developed by Larry Rosen, a former jazz musician turned recording DJ and executive producer whose unswerving commitment to the genre has earned him the respect of his peers throughout the world.
Ramsey Lewis Al Jarreau
And while old school lovers of jazz got a taste of "heaven" as they were entertained by this powerful display of instrumental and vocal expertise, the real winners may have actually been several hundred students from the Miami-Dade Public Schools, who were the special guests at the concert.

Besides being included in a pre-concert sound check, they had the enviable opportunity to ask Rosen and Lewis questions about their careers in jazz while examining their own practical skills and learning more about how to enter the business.

"The Jazz Roots series is about education and sharing this great musical heritage while celebrating a style that is unique to America," Rosen said. "And the great thing about it is that no matter what musicians I am working with - from Quincy Jones to the two artists featured in this concert, Al Jarreau and Ramsey Lewis, we are all on the same team - it's all about using music to show how we are all connected, from the drums of Africa to the Latin mamba.

Using jazz allows us to celebrate our DNA that connects all humanity, illustrating our common roots while teaching our youth about the many different cultures that make up the entire world of jazz."

 
Photo courtesy of Adrienne Arsht Center  
Rosen took on a formidable task when he came to Miami ten years ago because jazz had not been as successful in this city as other forms of music.

But in the decade since his arrival he has brought some of the biggest names in jazz to Miami while selling out auditoriums while entertaining and educating adults and youth alike.

"We have created a brand that represents the American culture and it's making its mark," he said. "Other performing arts centers are now calling me and want me to help them produce similar shows.

The key is that we are producing good music and with its umbrella being so huge, there are all kinds of ways we can celebrate the beauty of jazz."

 
Lewis, a composer, pianist and radio host, opened the show with his classic piece "Wade in the Water," joined by trio members Leon Joyce (drums) and Larry Gray (bass), later turning to pop classics like "Betcha By Golly Wow," Stevie Wonder's "Don't You Worry 'Bout a Thing," and rounding out the show with a medley of tunes from his earliest roots - the Black Church.
 
He also sported a few selections from his most recent release, "Songs from the Heart: Ramsey Plays Ramsey" (2009) and showed that just because he has recorded more than 80 albums and can boast a six-decade career, he can still "make love" to his instrument.

"This is the first recording on which I have my own original compositions on it: that's special to me because while I have always been a composer, I tended to compose only as the need arose," Lewis said. "About three years ago while working on music for the Joffrey Ballet, I found that it was really difficult to write - what was coming out was something close to a "poor man's Tchaikovsky."

My wife suggested that I do what I do best - sit at the piano and improvise. Not only was I aesthetically surprised but I was hooked. To this day whenever I have a moment, I am at the piano composing."

Lewis and Rosen have become friends over the years and that may be one reason that he says he was so excited

about participating in this latest Jazz Roots presentation - exposing young people to the music that has been part of his life for over 60 years.

"Larry is always working towards elevating, representing and recording the music and while it may be rare for a recording artist like me to become personally connected to the head of a record company (GRP Records) we really have. Educating young musicians is important to both of us because we have seen the change in America where public school systems have cut physical education and the arts in order to save money.

At the same time many of the radio stations that were once playing the music of legends like Benson and Coltrane and Ellington have gone by the way side. The result is a shrinking audience and fewer students who know anything about classical or jazz music.

I learned about jazz when I was in elementary school - in many school districts where they are fighting the battle of the budget, that's no longer happening. That's why these kinds of programs are so important."

 
Ten-time Grammy winner Al Jarreau has slowed a bit since this writer first saw him in a packed Ann Arbor auditorium in the early 80s, but he remains one of the most exciting vocal stylists on the planet and with a superb band and backup singers he had the audience in the palm of his hands - taking on a capella runs and then turning his voice into a bass guitar, a saxophone or even a percussive beat box.
 
The audience was invited to sing along with Jarreau as he took us down memory lane with some of his greatest hits - from "Your Song" and "After All," to "This Time" and his amazing rendition of the classic jazz hit "Take Five."

Two students from local public schools spoke with this writer about the concert and the Jazz Roots series. Both are currently music students who say they want to continue to master their instruments and carry on the legacy of "America's" music.

"Music, particularly jazz, is part of me - I enjoy the freedom because with jazz every instrument is important," said Hector, 16. "I would love to do this for the rest of my life and then pass it on to my children one day. I am the first in my family to play an instrument (baritone and bass trombones) and I am really grateful for this experience."
Hector was also a member of the first Jazz Roots Student All Star band which debuted in February of this year - after a grueling audition of students from 34 different schools.
South Miami High School senior Chelsea, 18, is a drum major at her school that took up both the clarinet and the alto saxophone and said it was love at first "note."

"With jazz you can express your own personality in the music but you can also listen to other musicians and borrow from them," she said. "It's fabulous to listen to someone like Ramsey Lewis or Al Jarreau - I mean, how do they come up with the ideas for their work and the sounds they make? I have been privileged to attend several concerts now and what I remember the most is how my peers can't stop talking about the performances. This is real music."
 
D. Kevin McNeir, Centre Stage senior editor, Ramsey Lewis, concert guest and Jazz Roots Producer Larry Rosen.  Photo by Johnny Rogers
To find out more about the series and upcoming concerts, go to www.jazzroots.net or
www.arshtcenter.org.

Being Wicked Has Never Been So Delightful



Donna Vivino Steals the Show as "Elphaba"

By: D. Kevin McNeir

 

 
 
 
The smash Broadway musical Wicked continues to cast its spell on audiences around the world entertaining and inspiring viewers with its magical tale of life in the Land of Oz before Dorothy's unprecedented arrival.

The show has returned to Miami after breaking box office records and selling out in record time in 2007 and if the crowd of adults and children who are packing the Ziff Ballet Opera House at the Adrienne Arsht Center each night is any indication of its popularity, then Wicked is a must see for anyone - eight to 80-years-old.

Produced by Broadway Across America and directed by two-time Tony Award winner Joe Mantello, Wicked is a "cultural phenomenon" - winner of a Grammy and three Tony Awards, along with 23 other major awards.

It is the story of how two very different girls met in Oz and how these two unlikely friends become the Wicked Witch of the West and Glinda the Good Witch. It's a tale of drama, disappointment and victory and with enchanting songs penned by Stephen Schwartz and exciting dance arrangements by James Lynn Abbott, this production is, in a word, spectacular.

 
Donna Vivino gives a breathtaking performance in the role of the much-aligned Elphaba, smart, headstrong but destined to suffer isolation and rejection because of her emerald-hued skin. She is a Broadway regular whose voice is nothing short of amazing and she rules the stage with songs like "No Good Deed" and "I'm Not That Girl."

And while Chandra Lee Schwartz (Glinda) lacks the pipes of Vivino, she is an outstanding actress and when paired with her green-skinned pal, the two are a most impressive duo.

If you have never witnessed the wonders of Wicked, you will be amazed by the many twists and turns that unfold from start to finish as we discover the surprising truth behind the origins of Dorothy's friends, the Lion, the Tin Man and the Scarecrow. And then there is the tragic reality of how Elphaba evolves from a promising young witch to the land's most hated villain.
Courtney D. Jones (pictured above), 28, is a Houston native who joins the cast for the first time as a dance ensemble member. She talks about the obstacles she has faced not only because of this being her first time in this physically challenging production but because she is an African-American actor in a profession where roles are often limited.

"This is my first professional musical and at first I felt like a fish out of water but we have a great support system with folks like Carolyn Arrington who was part of the original tour," Jones said.

"When I watch the other more seasoned actors on stage I am in awe of their talent and this continues to be a great learning experience for me.

In terms of the play itself, I can't get over the fact of how much people love this show. Since I joined the cast a year ago I have come to realize that this is something much bigger than me and the other actors."

 
Jones adds that while there are fewer roles for African Americans in shows like Wicked, she believes that the opportunities still exist - with the proper attitude and preparation.

"Sometimes when you watch shows like American Idol and see that many young hopefuls believe that it's easy to become a star overnight," she said. "But I still believe that the way to make it in this business is with training and developing the proper technique.

I have been dancing and performing since I was a little girl and while my parents were concerned whether I would be able to take care of myself after college, they always supported and encouraged me.

I just hope that today's parents are taking their children to classes instead of rushing them off to auditions. It's not an easy industry and most of us have to begin at the bottom.

"We do the show eight times a week and believe me - sometimes it gets overwhelming and tiring. But then you meet the fans - some who are here for their very first time and others who have seen Wicked a dozen times and you know that what we do each night on stage really matters. It may be "wicked" but it feels a bit like heaven."

Wicked runs through Sunday, March 21st. For ticket information go to
Arst Center.

 

Mulan: A Perfect Show for the Entire Family



Disney Classic Showcases Vocal and Dance Skills of a Multi-talented Cast

By: D. Kevin McNeir

 

 
 
 
It's not easy to transform a cartoon classic as memorable as Disney's Mulan to the stage, but that's just what Rosemary Newcott has done in her stage adaptation of this exotic musical, complete with lavish costumes, life-like sets and towering puppets. But what really makes this Alliance Theatre (Atlanta) production work is the chemistry between the two lead characters, Mulan (Leslie Bellair) and Mushu (Bernard Jones) who are joined by a super-talented supporting cast.

 

 
"When you are performing a show that is so familiar with most of the audience, it can be a daunting task and it was definitely some tough work - like learning the tai chi moves and the martial arts-inspired choreography," said Bellair, a Georgia native who has never had a starring role at such a prestigious venue.

"The animated version makes some things easier but when you are performing this live, you really have to bring out your emotions and your own personality."

Mulan, along with her misfit companion, the dragon Mushu, tell the story of their people (Chinese) whose destiny rests in their hands as they throw tradition to the wind while attempting to save Mulan's family and the Emperor.

The play is full of exciting scenes - from song-and-dance routines that electrified the audience to acrobatics, sword fights, and intricately staged choreographic presentations.

And as with any good Disney classic, the music is delightful - every member of the cast sang their hearts out.

"Musicals are my favorite kinds of theater and I was dying to do this show," said Jones, a Morehouse College grad with a degree in theater who gave Eddie Murphy, the actor whose voice is heard in the film version, a real run for his money.

"I watched the movie over and over again and tried to get my character down - the attitude and the comedic flair that he has. It was important to me that I not try to be Eddie Murphy but it wasn't easy because I don't consider myself a funny person - I'm usually the one laughing at the antics of others."

Jones and Bellair were a perfect fit for their lead roles - she as the ultimate tom boy and he as the fun-loving sidekick. As Jones said, their on stage chemistry began with them spending time away from the lights and glamour of the theater.

 
"We have a real friendship and I really respect Leslie as an actor," Jones said. "She is so talented that I had to step up my game. Our friendship is something that translated pretty easily on stage and it allowed us to break through that fourth wall and really connect with the audience. And then with our director we were able to have some input and change things when we didn't feel they were working quite right."

Look out for the special effects, like the avalanche that engulfs the rogue army or the puppets that represent the ancestors and dance their way into our hearts.

Many may not agree with the ancient Chinese tradition that tends to define women based on the man they marry and their children, rather than their careers and service to their community, but that is one of our realities even in this 21st century. But Mulan shows us that despite traditions, leaders can and do come in all sexes and sizes.

It's a great show - don't miss it.
Mulan runs through March 19th at the Alliance Theatre. For more information go to www.alliancetheatre.org

This story was written with the assistance of Cyril Mayes and Mary Gordon.

 

Celebrated Designer Seeks to Inspire Today's Youth


Bob Schafer Pens Memoirs as a Guide for Tomorrow's Fashion Icons

By: D. Kevin McNeir

 

 
 
 
There are a lot of reasons to believe that stardom comes with one mighty swoop these days - just consider popular reality shows like RuPaul's Drag Race, America's Next Top Model, Project Runway or American Idol where eager, talented dancers, singers, models and fashion designers lock heads once a week with dreams of taking home the gold and achieving instant success.
 
But in the real world, success comes with preparation, persistence and the ability to think outside of the box. Just ask Robert Schafer, an award-wining men's and women's fashion designer whose skill at marketing his own ideas proved to be his entrance into the lucrative fields of fashion and textile.
And while his name hasn't always been the one on the label, this gregarious New Yorker has been designing and manufacturing men's wear for such recognized fashion moguls as Oleg Cassini, Nina Ricci, Pauline Trigere and Pierre Cardin.

In fact, in the men's field - which he once dominated during his almost 50-year career, there was a time that he had more front pages featuring his designs on fashion periodicals - GQ being just one example - than almost any designer in American history.

Schaefer was only 19 when he began his career and traveled the globe, from his hometown of New York City to London, Paris and a host of Asian countries including China. A seasoned "fashionista," retirement is a word that he refuses to use, keeping busy with projects like his consulting gig for Fujian K-Boxing Warpknitting Inc., a China-based, high-tech manufacturing and sales company for medium- to high- end knitting fabrics or designing men's and women's bodywear for Miami-based Softouch, Inc.

And he is putting the finishing touches on a combination text book and memoir tentatively titled, How to Fashion Your Future in the Fashion Industry: What I Did to Win.

"I started thinking about this book because so many young people say they want a career in the world of fashion design, but don't know where to begin," Schafer said. "It's a comprehensive guide for hopeful designers and merchandisers that tells them how to prepare, how to assess their own abilities and mentions the various pitfalls they should seek to avoid."

Look out for some of Schafer's mouth- watering stories about his experiences with some of the industry's top designers - from Giorgio Armani and Ralph Lauren, to Nina Ricci and Coco Chanel, hanging out on the main strips of Paris, on Fire Island and in Greenwich Village.

"If your goal is to thrive in business, you have to be creative because business is a creative activity," he said. "Success comes from looking for the next opportunity and having the ability to find hidden connections.

So while brain power is our most valuable resource, great ideas are still in short supply. That's why the opportunities are still out there."

Schafer added that while every day is not about glamour, lights, cameras and action, the fashion world is one that he has cherished throughout his life.

"There's isn't anything I would rather do," he said.

 

 

 

Artist's New Series Tells Story of the Freedman's Struggle

Jonathon Romain's Life is a Portrait of Perseverance

By D. Kevin McNeir

 
 
 
Jonathon Romain, 43, is an acclaimed painter, photographer and entrepreneur whose latest series of paintings "Reconstruction: After the Civil War," brilliantly showcases the challenges that confronted the newly-freed slaves in America.

But this proud African-American father has had his own personal struggles - from skirmishes with the law as a youth to time in prison. Refusing to become another statistic, he turned his life around with blood, sweat, tears and plenty of hard work - a process that began during his incarceration.

 
Today he is a highly sought after speaker, advocate and the owner of a new and impressive art gallery located in his hometown of Peoria, Illinois. And when he talks to young people in schools or to organizations across the country he is frank about his life and passionate about his work.

"When I look at the obstacles I have faced and overcome sometimes I am led to say if I could do it you can do it too," he said. "At the end of the day that's the only answer I can give - you have to do it or it won't get done.

We only get one life and I was not willing to whither away in mediocrity. Of course there is a larger problem that exists within society - some things are just too much for us to tackle. People often get stuck because they misdiagnose the problems they're facing.

 

Even after we properly diagnose the situation before us, it takes a sustained effort to move forward."

Romain adds that his art is one way that he engages people in conversations about touchy, complicated -even controversial subjects.

His new series of paintings reflects years of study and reflection about being a black man in America.

"I have been an avid reader on African-American history for over 20 years but this new project was the first time I actually sat down and did something that speaks to what I have been studying. I am often overwhelmed with how little we know about our past and that knowledge is crucial to understanding where and who we are today.

 

 

My art is meant to be entertaining but it is also a way of educating people."

From paintings like "The Meeting Place," which examines the importance of the black church as a political force and center the education of African Americans to "Darkness Covered the Land," which exposes the ugly side of white America with organizations like the Ku Klux Klan that were fueled by white resentment and anger, Romain's art forces us to look at our own prejudices, fears and the often tragic reality of man's inhumanity to man.

"In the recent lectures I have given at colleges and universities I sometimes talk about Jonathon the artist but other times I am more concerned with talking about Jonathon the man - his life, struggles and triumphs," he said. "

It just depends on the needs of the group. But when asked about my work, I tend to describe my art as electric because it is all over the place. I get bored if I stick to just one style or subject, so I continue to explore and to have fun.

 
I am constantly exploring new mediums and subjects and I really like the process. Even though this is my profession, I consider myself to be a student and I know I will keep learning for the rest of my entire life."

Romain has worked in a quaint shop on Chicago's Northside for many years but recently opened a 15,000 square foot gallery in his hometown of Peoria where he is active in giving back to and making his voice heard, sitting on several non-profit boards.

He says that the first reason he returned to Peoria was so that he could be closer to his two sons who are growing up and need him in their lives. But he also felt that it was his duty to leverage his talents so that he could be of service to his community.

"I have been blessed to have my work showcased in museums, galleries and exhibitions throughout the country," he said.

 

 
 
 
 
"And I have had the privilege of receiving commissions from some impressive organizations - the most exciting project being the National Black Prosecutors Association commissioning me to paint President Bill Clinton.

But there is still so much more I want to do. Life is not long enough to do all of the things that I dream about. I would love to travel the globe and share my art and my life story while at the same time absorbing the art and the stories of others. Art is more than just me painting a picture and selling it. Art is experiencing life in all of its abundance - that's the well from which my creativity evolves.

For more about Jonathon Romain go to his website at www.jromain.com. He can be reached at romainart@aol.com or 708/829-9578.

New DVD Series Explores the African Heritage of Jesus



Scholars Use the Bible in their Quest for Truth

By: D. Kevin McNeir

 

 
 
 
What color was Jesus and does his ethnicity really matter? These two questions have been the source of numerous debates for at least the past two hundred years. Now two black members of the Church of Jesus Christ of Latter-day Saints (LDS), also known as Mormons, have launched a provocative DVD series that they say answers these questions and "proves" that Christ had an African ancestry.
Darius Gray and Marvin Perkins, the co-writers of the series, say that by using the Bible and sacred writings from the LDS they have been able to trace the family tree of Jesus with incredible detail refuting previous assumptions that he was Caucasian.

But does it really matter that we debunk myths about the ethnicity of Jesus? And isn't he more than just a "color?" Here's what the writers had to say.

"Jesus is definitely more than a color - he made the ultimate sacrifice in atoning for the sins of all mankind of every hue," they said.

"Though Jesus never cared about color, this has not been the case with man. Blacks have been much maligned and our contributions to Biblical and world history erased or altered, used to separate, suppress and to create a mental self-confinement of sorts.

So the truth matters in enhancing the lives of those affected by the false teaching that has been perpetuated, in addition to humbling those artificially elevated by these teachings and in passing on accurate information to the generations to come."

So what is this "real proof" that the two scholars say they have uncovered that illustrates the African heritage of Jesus?

"We wouldn't actually call the proof ours because for the most part, the detail identifying the Black heritage of Jesus is all contained in the King James Version of the Bible," the scholars noted. "We've simply taken what's there, matched it up with ancient artifacts and organized it in a way where viewers can use the genealogies in the Bible to identify many of those who were what we today call "black." In that process you will find several blacks in the family line of Jesus Christ.

"Scholars, theologians and students of the Bible worldwide have praised the work we've done. However, we realize that as with any work that is deemed controversial, there are a number of sensitivities to consider.

Darius Gray

Marvin Perkins

We didn't start out trying to prove that Jesus was black - the work began as a way to help the Latter-day Saints realize in a loving and constructive way that their teachings on race were incorrect.

The true value of the Blacks in the Scriptures DVD series is that you don't have to be a scholar or theologian to be able to appreciate its merits.

Let's look at it this way - one of the more prevailing comments at the election of our nation's first black president was "can you imagine how many young black children now realize that they too can grow up to be president one day."

That being said, it is clear that understanding historical truths can lift the self-worth of adults and children of color throughout the world - you can imagine the impact it would have to know that you share ancestral heritage with Jesus Christ." 

To order the series or contact the writers, go to their website . The website also features news articles, pod casts and videos related to their topic of research.

 

Haitian Sex Symbol Turns Exercise into Profitable Career

By D. Kevin McNeir

 
 
 
You may have noticed him on NBC's "America's Got Talent," Style Network's "How Do I Look?," Spike TV's "Deadliest Warrior" and most recently on Logo's RuPaul's Drag Race (season two).

And with his smooth black skin, devilish grin and chiseled abs he has tongues wagging with envy and desire.

But make no mistake - Max Philisaire has a game plan that includes a lot more than just being today's "eye candy."

The 25-year-old Haitian native came with his family to South Florida when he was eight only to experience what he says was the typical bullying that third world citizens often face.

He had to learn a new language and a new way of life.

"It only strengthened my character and I remained positive," Philisaire said.

"After graduating from Olympic Heights High School, where I was on the varsity basketball and track teams, I started to focus religiously on my nutrition and workout program so that I could develop my desired physique."

Max's plan included a stint in the U.S. Army as a combat engineer, taking him to places like Germany, Kosovo and Iraq. But even in these dangerous situations, he maintained his workout regiment. After completing his tour of duty, he returned to South Florida with his eyes on becoming a full time fitness model and personal trainer.

 

Soon his body was being featured in everything from music videos and fashion shows to fitness and hip hop magazines. Now he is working on a line of inspirational and motivational posters as well as a calendar, fitness guide and workout videos. "The whole concept is to inspire and motivate others to be fair to themselves and others while maintaining a healthy lifestyle," he said.

"Above all, I plan to brand myself not only as a Haitian male sex symbol but most important as a positive role model." You can find more pictures and information about Max Philisaire on a variety of social networks including: www.Maxthebody.com or www.Maxphilisaire.net.

Make sure you check out his exercise videos too.

 

Max's Nutrition Guidelines
and Daily Meal Plan

Eat every 2-3 hours. These meals should contain complete proteins such as: egg whites, fish, soy protein isolate, veal, beef, lamb or chicken breast. Vegetables that top my list include: broccoli, celery, spinach, corn, green peas, lima beans and carrots and the best fruits are grapefruit, apricots, pears, apples, berries, strawberries and cranberries.
Have carbohydrates in the morning (oats, whole wheat); during exercise simple carbs like honey, fruits vegetables and berries are great - after your workout you need to take in complete proteins.
Remember that 25 to 30% of your diet should be fats. These include extra virgin olive oil, salmon and fish oil. You can supplement with high DHA/EPA fish oils such as Omega-3 Fish Oil.
 
 
Drink plenty of water. You can also drink dark teas and red wine (one glass per night is recommended).
Plan out your meals before your scheduled time to eat because it will keep you on track. I try to pack meals for work and travel in containers that are easy to carry.
Eat a complete protein, vegetable/fruit and a complex carbohydrate meal (bread, rice, pasta, crackers or potatoes) no later than one hour after your workout is completed. Carbohydrates are rich in fiber.
 
 
Daily breakfast: grapefruit, egg whites, oatmeal, cottage cheese, Kellogg's Whole Bran Cereal, non-fat milk
Mid-snack: cottage cheese, fruit, vegetables, sandwich
Lunch: turkey, chicken breast, steak, mixed vegetables, brown rice, pasta
Mid-snack: mixed nuts, fruits, vegetables
Pre-workout: yogurt, fruits
Post-workout: egg whites, chicken salad, mixed vegetables
 
 
 
 

Fitness 101



Compiled by Eston Dunn, MS, ACSM

 

 
 
 
It's almost spring time again and you realize that you have been eating a few too many fast food meals, picked up way too much weight and worst of all you can't fit into that favorite "killer outfit." So before you step out on the beach or lounge beside the pool, you may need to hit the gym or get with a personal trainer. Just walking every day, maybe before heading to work, or doing some light exercise would be a great start. But there are several things to consider before embarking on a total "body makeover." Here are just a few things to keep in mind.
Getting Started

Before you start an exercise program, there are a few questions to ask yourself to determine whether you should see your doctor first.
QUESTION YOURSELF

Your first step is to ask yourself how active you want to be. This may sound like a silly question - you're probably planning on doing whatever you're capable of, whether that's a slow walk around the block or a vigorous step class.

But if you're of a certain age or have certain cardiovascular risk factors, you may need to see your physician before beginning a program that involves vigorous (as opposed to moderate) aerobic activity.

Here's how exercise intensities are typically defined:

Low-to-Moderate:
This is an intensity that can be sustained relatively comfortably for a long period of time (about 60 minutes).

 

This type of exercise typically begins slowly, progresses gradually and usually isn't competitive in nature.

Vigorous:
This is an intensity that is high enough to significantly raise both your heart and breathing rates, and is usually performed for about 20 minutes before fatigue sets in.

Are you planning to participate in vigorous activities and are a man over 40 or a woman over 50? You should receive a medical exam first.

The same is true for individuals of any age with two or more coronary artery disease risk factors. If you're unsure if this applies to you, check with your physician.

 
 

More Questions

Now that you've made it through the first questions, there are a few more to answer. A YES to any ONE of the following questions means you should talk with your doctor, by phone or in person, BEFORE you start an exercise program. Explain which questions you answered ''yes'' to and the activities you are planning to pursue.

1. Have you been told you have a heart condition and should only participate in physical activity recommended by a doctor?

2. Do you feel pain (or discomfort) in your chest when you do physical activity?

When you are not participating in physical activity?

While at rest, do you frequently experience fast, irregular heartbeats or very slow beats?

3. Do you ever become dizzy and lose your balance, or lose consciousness?Have you fallen more than twice in the past year (no matter what the reason)?


4. Do you have a bone or joint problem that could worsen as a result of physical activity? Do you have pain in your legs or buttocks when you walk?

5. Do you take blood pressure or heart medications?

6. Do you have any cuts or wounds on your feet that don't seem to heal?

7. Have you experienced unexplained weight loss in the past six months?

8. Are you aware of any reason why you should not participate in physical activity?
If you answered "no" to all of these questions, and you passed the first round of questions, you can be reasonably sure that you can safely take part in at least a moderate physical activity program.

But again, if you are a man over 40 or a woman over 50 and want to exercise more vigorously, you should check with your physician before getting started.

So, are you ready? If you are, but are unsure how to get started, consider contacting a certified Personal Trainer or joining a reputable fitness facility. By taking the time to evaluate if you are ready to start exercising, you've planted yourself firmly on the path to better health and fitness.
 
 

Don't Forget to Warm-up/Cool-down

A pre-exercise warm-up can have a multitude of beneficial effects on a person's workout and, consequently, their overall health.

What happens in your body?

When you begin to exercise, your cardio-respiratory and neuromuscular systems and metabolic energy pathways are stimulated. Muscles contract and, to meet their increasing demands for oxygen, your heart rate, blood flow, cardiac output and breathing rate increase.

Blood moves faster through your arteries and veins, and is gradually routed to working muscles.

Your blood temperature rises and oxygen is released more quickly, raising the temperature of the muscles.

This allows the muscles to use glucose and fatty acids to burn calories and create energy for the exercise.

All of these processes prepare the body for higher-intensity action.
Specifically...a gradual warm-up:

1) Leads to efficient calorie burning by increasing your core body temperature

2) Produces faster, more forceful muscle contractions

3) Increases your metabolic rate so oxygen is delivered to the working muscles more quickly

4) Prevents injuries by improving the elasticity of your muscles

5) Gives you better muscle control by speeding up your neural message pathways to the muscles

6) Allows you to work out comfortably longer because all your energy systems are able to adjust to exercise, preventing the buildup of lactic acid in the blood

7) Improves joint range of motion

8) Psychologically prepares you for higher intensities by increasing your arousal and focus on exercise

 
 
Where to begin

Your warm-up should consist of two phases:

1) progressive aerobic activity that utilizes the muscles you will be using during your workout and 2) flexibility exercises.

Choosing which warm-up activity to use is as easy as slowing down what you will be doing during your work-out.
For example, if you will be running, warm up with a slow jog, or if you will be cycling outdoors, begin in lower gears.

An ideal intensity for an aerobic warm-up has yet to be established, but a basic guideline is to work at a level that produces a small amount of perspiration, but doesn't leave you feeling fatigued. The duration of the warm-up activity will depend on the intensity of your workout as well as your own fitness level.

After the aerobic warm-up activity you should incorporate flexibility/stretching exercises. Stretching muscles after warming them up with low-intensity aerobic activity will produce a better stretch since the rise in muscle temperature and circulation increases muscle elasticity, making them more pliable. Be sure to choose flexibility exercises that stretch the primary muscles you will be using during your workout.

Make the time

In order to fully reap the benefits of the time you are spending exercising, you must warm up. Taking those extra few minutes to adjust to increased activity will ensure a better performance from your body and, in turn, will make your workout more efficient, productive and, best of all, enjoyable.